So after all that any thoughts?' 16 December luis from Usa wrote: 'Wow nice and where is the original signed' 02 November samarrajo from levenmouth wrote: 'the measurements of the painting are 163.7cm x 132.1cm making the bread, fruit and table almost life size. However, the Mother Child litho doesn't have the information located at the bottom margin of the print like others I've seen. Basically because the size was about the same and the 3 print colors were the same. I had originally thought it may be printed in France by La Photolithography L Delaporte. Being laid paper on board makes it difficult. I have looked for various water marks but haven't found any. The print definitely has age to it but obviously no way to tell how old. It's also on Montvall laid paper on board. I have a large litho ( around 28" tall 23" wide) of Picasso's Mother Child 4 hands study but it's different than any other I've found. I have a lithograph I can't find anywhere on the internet. Un chaval con 15 años, no puede estar pensando solo en dibujar.' 20 December Jason from USA wrote: 'So I'm an art collector who's stumped. Very interesting.' 25 February Pepe from USA wrote: 'Este es el peor cuadro que he visto en mi vida. It's el guitare!’”ġ2 recent comments 16 March Ryan Cantrell from USA wrote: 'What am I looking at? Picasso with a 9-year-old?!!!! FREAK' 03 March Brett from USA wrote: 'What 9yr old signs his work like that. They pointed a condescending finger at the object of Picasso’s clever pains, and said: ‘What is it? Does you put it on a pedestal? Does you hang it on a wall? Is it painting or is it sculpture?’ Picasso dressed in the blue of a Parisian worker responded in his finest Andalusian voice: ‘It’s nothing. Some visitors, already shocked by the things that they saw covering the walls, refused to call these objects paintings (because they were made of oil-cloth, packing paper and newspaper). I didn't even know what a new object could be. All the visible forms surrounding me appeared absolutely new. More phantasmagorical than Faust's laboratory, this studio (which certain people might claim had no art in the conventional sense of the term) was furnished with the newest of objects. Leaving aside painting for the moment, Picasso built this immense guitar out of sheet metal with parts that could be given to any idiot in the universe who on his own might put the object together as well as the artist himself. Spring 1914, the art critic Andr? Salmon wrote: “I have seen what no man has seen before in Picasso's studio. It is an entirely different technique, which gives rise to different questions and answers. Maybe he wanted to show us how music looks like? Now take a look at this minimalistic collage of 1920 made of burlap, newspaper and a couple of ropes. Pablo Picasso Paintings – it seems as if the artist disassembles the tool and assembles it again, showing us something new, uniform and integral. Look at the lines in this 1913 graphics piece Secondly, the study of Guitar series consists in analyzing and comparing the actual visual techniques that would seem to vary in different studies, but were born and are maintained by a single force. The collages made of real materials such as wallpaper, sand, paper, labels, packaging, musical scores in a variety of combinations not only symbolize the gap with the traditional practice of two-dimensional art, but also appeal to the reality through the use of real-life forms. First of all, it is the variety of materials used and the presentation of different things in different contexts. Familiarization with the series should start with early collages, paying attention to some important things. One of the first collages made of newspapers fragments dates back to November/December 1912. However, they cover a much longer period of the artist’s work it can be said that Guitars generally represent Picasso’s Cubism. GuitarMost critics consider the Guitar series as the final transition from the analytical cubism to the synthetic cubism.
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